TourTV Productions
TourTV Production Services
Live Event Video and Audio Capture & Record, Live to Screen's Projection, Live to Internet Webcasting
William Johnson and Tricia Turk have produced live video for projection at county fair's, on concert tours, for fundraiser's and charity events, corporate events and more.
From small intimate Jazz Clubs, to 20,000 seat arena's, they have worked with high profile clients and artists in a stealth-like professional manner and have excelled at utilizing the "fly-on-the-wall" approach to their work.
From one or two camera intimate interview's to eight camera live events. TourTV covers a broad spectrum of audio and video capture, record, and multi-media transfer capabilities.
Live switching and recording, audio re-mixing and engineering, video editing, final A/V mastering are all done right in the field "on tour".
From a small two person crew to full touring size units of fifteen crew members, TourTV has a collection of staff on call which are all industry trained professionals, with many years of experience in their respective positions.
For booking information contact Tricia Turk at tourtvonline@gmail.com
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Hope William has a Great Birthday too!
I'm way into the Jazz room. I got a chance to work with Adam who does FOH for the Young Dubliners. Totally cool guy. Little did I know his house gig is at Jazz Alley. I remember going there as a kid to see Tito Puente. And then again to see Lionel Hampton. Blew my mind.
Good to virtually see you again! keep it up.
-Steve
Now I'm having fun watching it.
This will affect concerts, sporting events, operas, plays, etc.
In less than 20 years, an average concert ticket has increased in price 500%! How is it that The Grateful Dead WITH Jerry Garcia was about $20.00 a ticket, but WITHOUT Garcia, tickets are selling upwards of $100? (No offense Warren, we love you). Springsteen in the 70's - 80's: less than $20 a ticket. The 2009 tour: $135 per ticket! Bruce did say in Rolling Stone "...abuse of fans has made us furious." But that's not reducing the cost of his tickets.
There are various solutions to this problem.
Bands can create their own ticket sales agencies, thus eliminating the greedy middle-man riding on their shirt tails. Those of us in the little jam-band corner of the world have seen this work for years. Believe it or not, the independent sales agency "Grateful Dead Ticket Sales" is fast approaching 50 years of success. (Sorry, heads, it makes me feel old too). This practice is also a thorn-in-the-side of ticket counterfeiters. Each city on the tour can have it's own unique ticket style, driving counterfeiters crazy, trying to keep up with the changing designs. Some of you will remember tickets with embedded holograms, watermarks and other little niceties that make scrap-booking wondrous.
ECONOMIC STIMULUS. Imagine the number of jobs created if every successful musical act developed it's own ticket production and sales! The cost of creating these departments will, in the long run, be offset by increased revenue resultant in eliminating the ticket-scalping conglomerate. Many musicians are already using grass roots promotion techniques like "street teams." (People who are willing to accept a free ticket, or a backstage pass in exchange for promoting local events.)
Initial cost for set-up of these agencies can be diluted by private, state and federal grants. There's alot of money available through organizations like the National Endowment for The Arts. And if you're creating jobs, Uncle Sam will be more than wiling to help you out.
Talented Musicians have, for years, formed their own production companies and recording labels to eliminate other greedy middle men. It's time for the Artists to step up and show their fans reciprocation of love and respect we've showered on them.
Please forward this through your e-mail buddies and social networks. Get the word out. ~